I am pleased to be the new Adjunct Instructor for Robert Morris University's photography program. I am currently teaching the Advanced 300 Level Digital photography Class and will also be teaching the Fundamentals 100 Level in the Spring of 2020. All of my students are juniors and seniors working on their Design Degrees and it is a real pleasure to help add this important and creative skill set to their tool kits and experience base. Along with my mixed media art, the serious study and practice of Photography continues to be my life's passion. It is a true honor to be in a teaching position like this to pass on my knowledge and enthusiasm to such a wonderful group of students.
A beautiful view of the Chicago "L" and surroundings from my new classroom
at Robert Morris University.
I simply love this comic strip by Stephan Pastis. It says it all!
Oblique – Streetscapes of Chicago
Photographs by Jordan Scott and Nelson W Armour
Photographers Jordan Scott and Nelson W Armour explore the urban landscape, searching out lesser-recognized streets, structures, and views. Chicago’s flat urban topography yields different perspectives, both close and far, both recognizable and unknown.
Scott’s black and white work emphasizes the history of specific Chicago streets with penetrating focus on unique structures and buildings. He captures transportation structures, cultural oddities, the vintage, the unusual, the seedy and the offbeat. Unfashionable motels with postmodern exterior facades and privacy barriers transport one from present-day to earlier styles and geographies. Now squalid and crime ridden rest stops, it’s just a matter of time before demolition occurs. Is Scott documenting these idiosyncratic and iconic structures? Is he capturing their melancholy, hinting at the unknown worlds living within?
Armour’s color work also searches for offbeat locations and idiosyncratic corners. Iconic structures are ever present within the frame. Normally, these familiar and famous buildings are viewed from beautiful angles and with a majestic sweep. Yet, Armour’s oblique take reveals less traveled neighborhoods, grittier blocks, and industrial settings. The famous skyline recedes in importance and the quirkier settings promote what is near; the iconic fades into the distance. What’s close conflicts with what’s distant. Most of these local settings have now succumbed to demolition and development. Will the distant continue to swallow up the close?
Scott and Armour’s work examine Chicago streetscapes at once recognizable and familiar but with unusual perspectives, tones, and feelings.
Opening Reception: Saturday, August 3, 6-8 pm
Artist’s Talk: Sunday, August 11th, 3-4 pm.
I had a very nice visit to Artspace 8 Gallery in Chicago this week and spending time with the amazing staff, including owner/director Fidel Rodriguez. Here are some images of current gallery installs of my work. I am looking forward to my one-person exhibition there in September, 2019.
All artworks: used U.S. postage stamps and resin on canvas
1) "Until the moment Comes 1 & 2" 48" x 24" each
2) "Home of the Brave" 36" x 60"
3) "Amethyst" 30" x 30"
4) "Passages" 60" x 60"
A shot from the Brown Line "L" on the way down to the gallery.
A huge turnout last night for our Spring Open Studios at the Cornelia Arts Building. It was nice to see so many old and new friends stop by to see us in studio #102. We were even visited by a beautiful green bird named Petros who was oddly attracted to my new "Butterflies" piece.
"Butterflies" used U.S. postage stamps and resin on canvas 16"x 16" 2019
"Love" used U.S. postage stamps and resin on canvas 16" x 16" 2018
Please join me for the opening of my one-person exhibition of new and recent work at One River School in Lincoln Square, Chicago. This exhibition runs from April 19- May 31, 2019.
One River School of Art+Design in Lincoln Square
Opening Reception: Friday, April 19, 6:00-8:00PM
4625 N Lincoln Ave
Chicago, IL 60625
Attention Chicago area artists, I am teaching a workshop this Wednesday evening at the 1100 Florence Gallery in Evanston from 7:00-9:00pm on how to properly photograph/document your artwork.
From the Evanston Made website:
"Your photos of your artwork are everything!
They’re what you use to submit your work to exhibitions.
They’re what you post on social media to get noticed.
They’re what you send to potential customers!
But are the images that you’re using the best they can be?
Come to this demo with photographer/artist Jordan Scott and learn how to take professional quality art photos in your home or studio! Jordan is so good at making photo taking easy to understand. He’ll present an easy to follow step-by-step process that covers camera settings, lighting and using a tripod. Almost any camera except a cellphone camera will work!
This event is free for Evanston Made members. RSVP at email@example.com
Non-Member tickets are $25. Space is limited."
For more information and to sign-up click here.
“Dreams” U.S. and international postage stamps and resin on canvas 16” x 16” 2019
I was happy to finish deliver a new commission entitled "Dreams" last week. As well as incorporating many of the clients own postage stamps from places they had traveled, and a series of stamps featuring of "Dr. Who" from the U.K., it also features postage stamps from over 45 different countries of the world from every inhabited continent (excluding Antarctica).
I am honored and excited to be one of several featured instructors at this year’s Out of Chicago Photography Conference. This amazing symposium includes two full days packed with workshops for all experience levels. I will be teaching two workshops entitled “Getting the Perfect Exposure” and “Principles of Creative Composition.”
The conference is being held in Grayslake, Illinoisfrom April 27-28, 2019. Use the discount code SPRING when you register to get $50 off.
For more information, visit www.outofchicago.com/spring
Some of my sample images that we will discuss how to capture using my "Getting the Perfect Exposure" and "Creative Composition" techniques.
“Lights Return" used U.S. postage stamps and resin on canvas 48" x 48" 2019
"Light's Return" installed in its New York City loft home.
This piece was made using approximately 4000 used U.S. Airmail postage stamps. The specific stamp used to create this piece is the 1946 “Pan-American Building with DC-4 Skymaster” 10¢ issue. The design is based on a painting from Frank Stella’s “Black Series” from the late 1950s.
"Pilot" keeping watch...
For years now, I have been accumulating a specific collection of U.S. Olympic themed postage stamps. I never knew why, or for what reason they would eventually be used. But, I had an intuition that they might become something special one day. As I sorted through newly acquired lots of stamps, I would put these Olympics aside as they were discovered. Eventually, the specialized collection grew into the thousands. In addition, I have always used and collected older U.S. commemorative flag stamps. I am constantly utilizing them in pieces and have made several artworks using them exclusively, creating abstract red, white and blue pattern fields.
Recently, I received a message from a San Francisco based Art Consultant from Simon Breitbard Fine Arts that I work with regularly. She had a client interested in commissioning a piece from me for their Park City, Utah, home. She asked, to my great delight, if by chance I had stamps featuring Winter sports! And just like that, all those years of setting aside the U.S. Olympic stamps (many of which happened to be Winter Olympic stamps) had presented its purpose!
Virtual Gallery View: "Winter Snow" used U.S. postage stamps and resin on canvas 48" x 48" 2018
"Winter Snow" detail and side view
"Winter Snow" in the studio waiting to be boxed and shipped. "Star Spangled" hanging above it on the wall.
“Winter Snow” was made using approximately 2000 used U.S. postage stamps. The stamps all feature Winter Olympic sports or U.S. flag themes. The Winter Olympic sport stamps include: the 1972 sledding and skiing stamps; the 1976 skiing and figure skating stamps; 1984 figure skating, skiing, and hockey stamps; and the 1988 speed skating, downhill skiing, ski jumping and hockey stamps. The U.S. flag stamps include: the 1959 “44 Star” stamp (after Alaska became a state, but before Hawaii); the 1960 “50 Star” stamp (added after Hawaii also became a state); and the 1964 “Vote” stamp.
The design is a variation of my cross + vortex layout, but reinterpreting it as an X to make reference to snowflakes (a giant abstracted geometric snowflake) and wintertime, in general. "Winter Snow" used U.S. postage stamps and resin on canvas 48" x 48" 2018
Some of the U.S. Winter Olympic stamps use in this piece.
"Winter Snow" installed in its new Park City, Utah, home.
Peaceful and solitude are just two of the words that come to mind when thinking of Chicago's Graceland Cemetery. My fascination with cemeteries began at college in the Indiana University Religious Studies program and has only grown as my interest and skill in photography have developed. In a class of prospective new Religious Studied majors in about 1987, I can remember an interesting discussion that somehow veered off-track to the idea of cemetery walls and their purpose. Each member of the small group gave their impressions and the general consensus was the walls of a cemetery exist to protect the sacred grounds from unwanted incidences during off hours. Vandalism and littering by drunken teenagers, homeless setting up camp and drug dealing were just some of the possibilities mentioned. Although I agreed with this in modern practice, I proposed another possibility on the origin of the walls. Initially, hundreds or thousands of years ago, the walls were not constructed to keep unwanted visitors out, but to keep the unwelcome (and unnerving) post-organic visitations by some of “them” in.
Here are a few select moments during my recent trip back to Graceland Cemetery, Chicago IL.
Almost without exception, I am repeatedly asked the same three questions at every exhibition opening I have my stamp based artworks included in. How long does it take you to complete a piece? Where do you get all the stamps? Do you have any favorite stamps?
This is the first of a three-part blog series to answer the last question on favorites. Although subject matter and/or messaging often have a role to play in my selections, my favorites usually have to do more with color, design and imagery, regardless of subject.
Here are some of my favorite U.S. postal issues. This is just the first in a series (3 or 4) of planned posts on this same topic.
As far as using it in my own artwork, the sun and radiant bands create and almost hypnotic op-art look when composed as I did below in a piece entitled, "Glow" (Vortex 22) used U.S. postage stamps and resin on canvas 16" x 16" 2018
Featuring the abstract geometric painting "Glow" by Josef Albers, this 15¢ cent issue from 1980 (Scott # 1833) is a great example of minimalism in design. The beautiful colors of Albers’ piece, radiating from the center square and positioned on the upper half of the rectangular format of the stamp, led me to experiment with this abstract relationship further. Although, I had been doing square formatted pieces based on Albers’ “Homage” series for years, it wasn’t until a University of Kansas Hospital commission in 2016 that I broke out the square. Still based on Albers’ relationships and relative dimensions, I switched to a rectangular format at the request if the client.
A recent beautiful install for the University of Kansas Hospital Collection compliments of the amazing Blue Gallery, Kansas City, MO. Installation images: "Meaningful Adjacencies" 60" x 60" 2017, "Inward Journey" 48" x 36" 2017
"The Ancients" used U.S. postage stamps and resin on canvas 48" x 48" 2016
"The Ancients" detail showing the Apollo 8 issue used in an inverted fashion.
"Apollo" used U.S. postage stamps and resin on wood 6" x 6" 2013
And finally the 1945 "Iwo Jima" 3¢ issue (Scott #929) featuring the iconic raising of the U.S. flag on that island during WW2 is based on a photo by Joe Rosenthal. The picture, which earned Rosenthal a Pulitzer Prize, was then made into this postage stamp and also cast as a 100-ton bronze memorial. Powerful imagery, simple design and the use of the monochromatic green, all add to this issues beauty.
A new installation at the Cornelia Art Building lobby gallery: "The Arctic Trilogy."
From left to right: "Antarctic" used U.S. postage stamps and resin on canvas 30" x 10" | "Atoms" used U.S. postage stamps and resin on wood 40" x 5" x 6" | "Arctic" used U.S. postage stamps and resin on canvas 30" x 10"
Images: Installation, pieces and details.
I am pleased be included the "Irregular Symmetry of Pattern" exhibition at the incomparable Wright Gallery in Northport, MI. New work from my "Vortex" series, as well as work from other amazing gallery artists will be on display through mid-August.
Opening reception: July 9 at 6:00 PM
It was an honor to be a judge and juror at this year’s Old Town Art Fair in Chicago on June 9 and 10. Considered one of the most prestigious in the country, the Old Town Art Fair has endured for over 50 years. The original judging for acceptance into the fair took place two months prior at the offices of a Lakeview architectural firm. The updated on-line technology used for the judging process, made the review and scoring procedure seamless and easy. I and the other jurors met again at the actual art fair in progress on Saturday, June 9. We scored the participants in three main areas: Basic Art Design, Technical Skill and Exhibit Impact. I was truly impressed with the technical skill level and beautiful aesthetics on display in the Photography, 2D Mixed Media and Digital Art categories assigned to me.
It was a blast from the past and a full circle of sorts for me personally. Some forty-five years ago, I accompanied my father, Gary Scott, who exhibited at the very same art fair. He was a sculptor and a painter, although he would only show his figurative sculptural works at art fairs. From the age of about 6 or 7, I would often sit with him at his booth at various Midwest art fairs, including Old Town. Acting as his “assistant,” it allowed him to take bathroom breaks without him having to leave his booth unattended. I considered it a great responsibility, and fantasized about making an actual cash sale for him in his absence!
Although he passed away in 2008, I couldn’t help but feel his spirit as I walked along the hundreds of artist’s booth, making my notes and inputting my scores. It was another great responsibility, and I felt it was somehow honoring his memory as well.
Above: my father, artist and designer, Gary Scott, second from the right. Circa 1985, Florida, USA.
Above: random snap-shots from the art fair.
Above: the Old Town Art Fair Executive Committee and some fellow jurors later in the day.
In-camera multiple exposures is a process in which you combined separate exposures on the actual image sensor (in-camera), as opposed to layering them in Photoshop during post-processing. It is a feature that is becoming more and more common on newer models of both DSLRs and mirrorless cameras. I have grown to love the creativeness it allows and always look forward to experimenting with it whenever the appropriate situation presents itself. These images are from my new “Double Exposure” series. The first image, “Ghost Bridge” will be included in the "Top 40 International Exhibition" opening June 14 at the Los Angeles Center for Digital Art.
Photo by new owners below: "Vortex 1" in the background, hanging in its new home in Chicago. Purchased from Artspace 8 Gallery at the "Fragmented" exhibition. View more artworks from the "Vortex" series here: Vortex
"Vortex 1" used U.S. postage stamps and resin on canvas 16" x 16" 2017